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  • Sylvain Lupari

LUNA FIRMA: New Horizons (2016)

New Horizons is above all for the music lovers of deep cosmic atmospheres where the frontiers of Brian Eno and Vangelis go pretty well together

1 Angular Distance 7:16 2 Chandra X 4:14 3 New Horizons 3:36 4 Albedo 0.6 5:40 5 The Frozen Fields of Hydra 4:40 6 Charon 4:12 7 Snowcaps on the Edge of Darkness 7:12 8 Sputnik Planum 7:44 9 The Drifting Hills of Pluto 5:09 10 LORRI 5:02 11 Krun Macula 7:40 Borders Edge Music

(DDL 62:25) (V.F.) (Deep ambient cosmic EM)

NEW HORIZONS is the 2nd album of Luna Firma, a Canadian-American duet made up of Kuutana (Ron Charron) and of the New York guitarist Eric Taylor. Inspired by the spatial mission of the same name which explored the planet Pluto in the summer of 2015, this album surfs on the influences of Vangelis. Master on board of his sonic shuttle, Ron Charron who multiplies the big diversity of his label Borders Edge Music, puts in relief the collection of field recordings amassed by Eric Taylor, plunging the album in a universe of meditative music which fits to its heterogeneous source of sounds, so giving this impression to feel Brian Eno's atmospheres. Except that the very Vangelis approach of the duo creates this necessary balance between abstract music and music. In this respect, Albedo 0.6 is simply wonderful. But before...

Angular Distance binds itself in our ears with dark and frail breezes of which the delicate indecision is gobbled up by good impulses of cosmic drones. Crystal-clear chords get scatter through the chants of astral flute, drawing an inevitable parallel with the universe of Vangelis. Oblong sighs of synth amplify this hold of Vangelis on the influences of Luna Firma, whereas our ears perceive a carpet of metallic murmurs which whisper in the background. These slow morphic embraces are transformed little by little into momentum of ambient rhythm which implode in the majority of the phases of this new album. Yet the influences of Vangelis enclose the slow movement of Chandra X with synth layers with perfumes of apocalypse which progress like inked hands over knockings of which the brightness become lackluster as the intensity rises. The title-track breathes on these ambiences and runs away with a nice oriental lullaby to set ablaze a nervous and spasmodic structure of rhythm which sweeps the sweetness up to the borders of Electronica. After the slow and intense orchestrations of Albedo 0.6 which reveals a wonderful lunar melody to makes cry a solitary synth, The Frozen Fields of Hydra borrows the paths of New Horizon with an opening misted by synth superimposed in different colors in order to take the shape of an increasing rhythm which drives again towards another kind of Electronica.

As improbable as unexpected, this structure of rhythm melts in a paradisiac environment haloed by good astral voices and by chirping of birds still unlisted. Charon is a very aerial, very celestial, title with a guitar more than Floyd-style which sheds its tears over a bed of buzzing drones. Snowcaps on the Edge of Darkness is the most beautiful example of the delicate balance between the universe of the metallic murmurs of Eno and the soft morphic embraces of the oxygenate cotton hands of Vangelis. The dark breezes and the jingles which surround the atmospheres of Sputnik Planum is worth of a Robert Rich & Steve Roach collaboration. The same goes for The Drifting Hills of Pluto and the very intense LORRI with its guitar which makes a too short appearance at the very end. We definitively reached the threshold of the intensity with this title and the oriental moods of Krun Macula which explodes of a stunning tribal rhythm around the 4th minute before the sedative atmospheres try to calm the sleeper awakened suddenly by this temporary rage.

NEW HORIZONS is above all for the music lovers of deep cosmic atmospheres with good implosions in the impulses of intensities which perturb the soft orchestrations and the delicate reverie of the synth layers with fragrances of Vangelis. Some fragments of rhythm can disturb the musing of the night nomads, but there is enough sedative space to reroute them near Morpheus' doors.

Sylvain Lupari (November 14th, 2016) ***½**

SynthSequences.com

Available at Borders Edge Music

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© 2019 by Alexandre Corbin for Synth&Sequences \ Sylvain (A.K.A. Phaedream) Lupari

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